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Helen Davey: news

Still Morning - February, 2018

Sometimes a space opens up where it's been blocked before. Shifts like these seem to come out of nowhere yet thinking back, I can see when the blockage subsided. Getting back to a routine in my studio and having time to ponder and play my beautiful piano after a month away had me taking very long, musical ‘breaths’."Still Morning", a piece for solo piano came out of that pondering. You can listen to it here: Still Morning

Still Morning


Home-ness - December, 2017

This past decade, each January is spent at "home" in Australia for a four week flurry. Cramming a year of catching up with friends and family and completing required property maintenance into that month isn’t possible. But I still keep trying to square that hole.

Studio practice is one of the things that just has to go by the wayside....So my instruments are put to bed for a whole month - cause there just isn't the time to play them til I'm back into my routine in my Swiss "home".

HAPPY 2018 to you - I hope it's full of experimental, expansive, exciting and enriching moments .

My instruments put to bed for my annual leave


film score for "Little Theatre" - November, 2017

I was asked to score the music for a short film, "Little Theatre presents" which is an intriguing artwork. Jeff Stewart, an Australian artist and writer has created a miniature theatre set to capture the charachters and themes of four of his monologues.

The miniature theatre is generally performed in intimate spaces for small audiences. Now it's been made into a film by Anthony Petrucci, with Stuart Grant narrating the monologues - recorded by Oscar Grano.
It's an honour to have been part of this project. Looking forward to it's premier in 2018.


"Little Theatre presents" short film by Jeff Stewart

Celtic Origins - October, 2017

Three out of four of my grandparents' family branches stem from Cornwall. Visiting the areas where my ancestors hail from this month, has been a long time coming. 

To walk their respective village and coastal paths, breathe in the sea air and the landscapes where they lived gave me a profound sense of place. It was inspiring. Much music is bubbling up.

Family hierlooms from three Cornish branches

Never knowing what's next - August, 2017

An impromptu ensemble for a gig in Ticino (Italian speaking part of Switzerland) was great fun. Never ceases to amaze me that three musicians who havn't played together before, (nor share a language) can create music that works a charm!

Maia, MArc and Helen

Something fishy - July, 2017


Loved being asked if music from my first solo piano CD could be used for a film about fish...
You never know when your music is being heard; something comforting in that.

by Pete Lambshed

Travel Pack - May, 2017

Whether travelling for a gig up the road or internationally, it's remarkable how many instruments can fit into a bag... The tone colours in this travel pack are pretty comprehensive.



Australasian Playback theatre Gathering - April, 2017

During a trip to Australia this month, I joined the quite wonderful conference "Under Our Southern Skies" which operated using the Open Space Process. The conference, the process and the people made for a nourishing, inspiring and thoroughly enjoyable event. We even hooked up with the concurrent European Gathering and sung for each other - technology still amazes me.

I love experiencing the nuances and differences between interpreters of playback theatre. There's definitely an Aussie flavour that differentiates playback from the many European expressions of this fine art form.

Part of the "Open Space" process as
explained at the Hobart hosted Australasian PT Gathering, 2017

impro trio for playback-theatre - March, 2017

It's been two years since I was warmly welcomed into the "Naerrischen Alten" joining two other improvising musicians. Here we're co-creating a sound-track for the the acting troupe on stage (also improvisers)... And each of us (actors and musicians) are responding to a member of the audiences' interpretation of an artwork.
Quite complex.
A whole array of interconnectedness.

Maia, Martin and Helen

evolving ensembles - February, 2017

It's always a priviledge to work with other artists in our respective fields to create something together. BUt there's nothing quite like the joy of improvising with highly focussed people who manage to stay connected with each other throughout a piece of work.

This ensemble of theatre makers are called Die Naerrischen Alten. They are such a pleasure to work with.
And the combined skill set and experience amidst this (largely retired) group is mind blowing.
Lucky me!!


warm fuzzies - 'tis the season to be jolly' - December, 2016

At the end of each semester all my private students are invited to present two pieces they've been working on at a soirée workshop. After each student takes centre stage, presenting their works, they sit on the comfy chair to accept the 'warm fuzzies' from their audience coleagues (the audience members tell the performer something they liked). So the performer takes away a posy of the goodness they've shared via their musicking. Puts a smile on my dial every time :-)

Hoping you get some warm fuzzies during the Silly Season, and can share some around with loved ones or perfect strangers. Have a good one.



trendy lofts - October, 2016

We  - Fleurs de Sel - were blessed by the generosity and ingenuity of Martine, who hosted a house concert in her fantastic loft apartment this month. Sold out, there wasn't a spot left; and it was a great vibe in the space What a treat to have such a loved grand piano to play our programme! Bring on more house concerts - love the immediacy, the intimacy and being incredibly warmly welcomed into the inner sanctum of somebody's home.
Thank you Martine!


Feurs de Sel - hauskonzert, Zuriwest, Oktober 2016

country towns - September, 2016

Oh how I love country gigs. The people, the quiet, the warm hospitality, and the sense of community in the performance spaces amongst the audience - who usually know each other, (or of each other... or at least someone who knows someone else who knows of...). Loved the stories from the audiences to sound-paint to at this Salon; loved sound-painting to Linnet Hunter's compelling poetry and I loved running a vocal workshop with the enthusiastic local musical Mondays group... Such a pleasure to make music with local communities in country towns.


Gosh, we made the front page of the Birregurra local paper!
That's Linnet Hunter (text), me (music) performing in the old apple store
at the historic and pictureque Tarndwarncoort Homestead: what an incredible family!

Salon series - August, 2016

After months of planning with poet, Linnet Hunter, several skype rehearsals then finally meeting face to face, we could join the many artists performing at the "Words in Winter" festival in Daylesford. Great to be a part of this festival in my hometown, and to transform Linnet's poetry - and some audience's stories - into music.
I've been happily playing at this festival since 2003 and hope to continue


Instruments for the Salon Series 2016
"Life's Harvest" with Linnet Hunter

flying accross the world - July, 2016

Each year, I cross the globe from Switzerland's superb Summer to work in OZ during their cosy winter. Opposite seasons near opposite poles. The actual crossing is like entering a tunnel in a semi dreamstate (planes, airport transit lounges and more movies) between two worlds; then bingo, amidst the jet laggery, I come out the other end of the tunnel. So much is so different and so much is exactly the same. The longer I do this the more differences and the more sameness I experiences. With an affectionate nod to Julius Sumner Miller, I ask... "why is it so?"


I saw this brilliant image on a playback theatre webpage.
Unfortunately, the admin couldn't site the source, so I share it here
(appologetically) with uncredited respect to the artists involved.

connectivity - May, 2016

There is this thing about collaboration in projects that gives me a sense of bigness; not just the project content itself or the team activities, but the sense of connectivity. It's like a brighter resonance illuminating everything and everyone involved. I felt this, in the lead up and during a massive group exhibition this month (over 80 visual artists at a venue in the hills north of Zuerich), especially when sound-painting in response to selected artworks during a concert by Fleurs de Sel; 
In the photo below, you'll see the base of three giant easels built espeically for our concert. (two of the organisers whipped these easels up, just outside the venue in 20 mins flat...). And that was just one of the zillion mini projects needed to make up the macro exhibition and related events.


Sound-check for Fleurs de Sel at the art music event in Faellanden


närrischen Alten - April, 2016

Working in improvised performance art with a team requires alot of trust and respect for your fellow arts practioners. Playback-Theatre Ensemble "der närrischen Alten" welcomed me to their dynamic group in 2015. It's such a pleasure to work with these highly skilled and very experienced people. Thoroughly enjoy the depth of our training sessions - getting into the pith of the creative process with other arts practioners informs my own music making.
Next month we'll perform at an exhibition by Brigitte Wanzenried - "Bilder zum Flösserlied". Looking forward to sound-painting/story-musicking with the team to the artworks.


Rio abajo, rio abajo - Brigitte Wanzenried from
the "Bilder zum Flösserlied" exhibition, 2016, Schaffhausen, Switzerland.

Anniversary greetings to my buddy - March, 2016

This is my buddy. We've been an item for 8 years this month - and although I'll never know her past, (hail Annie Proulx's "Accordion Crimes"), I like to think that we met just at the right moment in time for our fine friendship to seed and grow.

The more I work with this buddy of mine the more I love her sound and feel - and even the look of her. I'm astounded by her versatility and have been inspired to compose and improvise a huge range of music with her.

And... having started my instrumental love affairs with pianos, (this buddy's bigger siblings) I celebrate her compact self. Venue doesn't have a piano? No problem, instead of lugging a 25 kg stage piano (or a half a ton of grand piano...), I can just pop a handful of small percussion instruments into my buddy's case and bounce off to the gig on public transport! Now THAT tickles my fancy.

Happy anniversary little buddy.

Helen's buddy

New Repertoire - February, 2016

"Fleurs de Sel" have developed fresh repertoire for our new programme. Lots of enjoyable twists and turns in the process of refining the new pieces.

So far the most difficult moment has been deciding which pieces not to play in upcoming concerts. Its hard to push loved pieces out of a set list. We thoroughly enjoy the whole collaboration. Lucky us :-)


My repertoire folio for "Fleurs de Sel".


Happy 2016 - January, 2016


Annual leave on our family property in S.E. Australia, has meant I've had time for things other than musicking.

I've appreciated making a different kind of art for a change; I loved incorporating tiles in this mosaic depicting the seven children who were raised on this property (the centre point), and surrounding them with fragments for my own family lineage. A complete break from my music has been refreshing and inspiring.

Hope you've had a break too.
Wishing you and yours an expansive year ahead.



up up and away - December, 2015

2015 has been a musically satisfying year for me consolidating my various projects. I've also felt enriched with the process of nurturing others' music making through my private teaching and workshops.

Now it's time to dream about the things I'll work toward next year and put my energy into making them happen.

Wishing you a Merry Silly Season.


Sunrise over Lake Daylesford, S.E. Australia, with the Wombat State Forest in the background.


Bach's Boots - November, 2015

One of my pieces from my Project "Fleur de Sel" with Ruth Bieri.
This tune is called "Bach's Boots", acknowledging the musician's who've gone before me, influencing my ears and hands as I create my own music.

Fleurs de Sel: "Bach's Boots", Ruth Bieri (Sax), Helen Davey (piano)



connection - October, 2015

I've been working with several theatre groups the past months, in the land of improvisation ("playback theatre Zurich", "älte närrische", "glücksklee"). The spontaneity and audience interaction generated with each of these theatre groups, has an immediacy about each performance that is quite unique. I love creating the sound track for these performances.



snowtime in OZ - August, 2015

Had a great time Downunder, working during August around Central Victoria with story teller Anne E Stewart. Annee is fun to work with and aside from the stories we'd prepared, I particularly loved performing one with Annee that I'd never heard before: Sheer delight musicking a sound-track for a story as it unfolds.

As with musicking to improvised theatre or sounding to a film, I love that the alchemy of the artforms appear as one and can never happen the same way again. It's instant access to seeing/hearing/breathing the essence of life.

Anne E Stewart (story teller) and me after performing at the Words in Winter festival at the Grande Hotel, Hepburn Springs. Thanks for this photo Lee Merzel


Waltzer - June, 2015

Ruth Bieri's beautiful "Waltzer" is featured in this video as part of our joint project, Fleurs de Sel.

"Walzter", Ruth Bieri (piano), Helen Davey (accordion).



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